ByteDance (TikTok) – Full stream ahead.

Video comes for the music stars.

  • ByteDance is aiming to extend the popularity of TikTok into the subscription music space but I question whether its algorithms are good enough to compete with Spotify or whether it can beat the market advantage enjoyed by Apple.
  • ByteDance is in negotiations with the big labels (Universal, Sony, & Warner) to licence their content for a new streaming service that will help it to further monetise the 1bn users that TikTok has won over to its service.
  • In H1 2019, TikTok managed to generate around $0.43 per user per month (see here) which is pretty good going given that the vast majority of its user base is outside of USA.
  • Users in the USA currently generate far more advertising revenues than those elsewhere, which implies that its US users could be generating between $1 and $2 per user per month.
  • RFM research calculates that with its Digital Life coverage of 42%, its monetisation capacity in developed markets is probably already getting close to capacity.
  • Hence, it has to find growth elsewhere explaining its intention to move into a subscription service and cross-sell it to its engaged audience.
  • I am pretty sure that the music labels are only too happy to see a new competitor because this will make it more difficult for Apple and Spotify to put downward pressure on licensing costs, given the potential reduction in market power.
  • Its two main rivals are Spotify and Apple Music both which represent separate challenges to overcome.
    • Spotify: has achieved its market position as the global leader when it comes to users because it offers the best service.
    • Spotify has gone to great effort to ensure that its music algorithms are the best available meaning that it can ascertain what its users do and do not like.
    • This means that the recommendations that it makes are accurate, thereby improving the quality of the service it offers generating loyalty.
    • This also offers Spotify the opportunity to squeeze out the record labels and offer music directly from artists to their fans (see here).
    • TikTok has made its mark in a very similar way but with short videos rather than music.
    • Music is a very different data set and so there is no guarantee that because it is good at this in videos, it will be able to match Spotify’s quality in music.
    • However, given that Apple’s AI seems to be going backwards, I think ByteDance should be at least as good, if not better than Apple.
    • Apple: has been successful with its streaming service mainly due to its history with iTunes and the iPod as well as its dominant market position in hardware.
    • Apple is now bigger than Spotify in the US largely because Apple Music is the default streaming service on iOS devices which have close to 50% market share in the USA
    • Apple Music comes pre-installed on iOS devices giving Apple a big advantage in terms of enticing the users of its hardware to use its service.
    • This will be a tough nut to crack as even Spotify’s superior service has lost ground within the iOS ecosystem against this advantage.
    • ByteDance is likely to have an even more difficult time.
  • ByteDance will also face difficulties with its user base which predominantly young adults and teenagers all of whom tend to have less money to spare for subscription services.
  • Hence, I suspect that ByteDance will be looking to use an advertising-funded business model to pay for most its usage which will cause some friction with the labels.
  • This is because “free” users generate far less revenue than premium subscribers meaning that the label’s earnings per user are much less.
  • However, I suspect that the labels will be keen to see more competition in the market as well as the potential to increase the listening of their content in China.
  • Hence, I think that ByteDance will be in a position to launch a service but whether it can make a dent in Apple and Spotify remains to be seen.
  • At its current valuation of $78bn, ByteDance looks to be valued at around 5x revenues which is considerably less than the likes of WeWork or Peloton when they went asking.
  • I will wait for more detailed figures in a listing document before I pass judgement on the attractiveness of ByteDance as an investment, but I am inclined to be positive.

RICHARD WINDSOR

Richard is founder, owner of research company, Radio Free Mobile. He has 16 years of experience working in sell side equity research. During his 11 year tenure at Nomura Securities, he focused on the equity coverage of the Global Technology sector.